EMW blog
Sunday, April 24, 2011
READING BE PRAISED! THE EMW TOP 10 REVELATIONS
The top 10 media revelations of 2011
1. Radio has better picture
It’s true! Have you ever imagined something or dreamed. Remember how real it felt. That’s how good the pictures from radio can get. It’s also the cheapest way to convey meaning. “Note How much more dialogue is necessary to convey the same story in sound alone.(Hilliard 54)This simple statement speaks volumes for radio. With more dialog and sound required to make the sound it allows a more vivid picture to be formed in your mind. This emphasis on imaginative thinking has really gone down the tubes since the invention of the tube. This is a tragedy because imagination is a truly important thing that should not be neglected.
2. Know your audience
Knowing your audience is vital to having a successful media writing career. You don’t want to have a person who specializes in writing in descriptive language and complex thought working in commercials. A polarized political pendant such as Rush Limbaugh speaking in an area such as Burlington Area of Vermont or in San Francesco is a guaranteed recipe for failure unless you don’t know the aforementioned. If not who let you onto the Internet. “Well, you get the idea! Factor in what you know about the audience’s age, gender, income, political milieu, religious affiliations, and other available information and you can pinpoint the content that might be most effective.”(Hilliard 5) Know who you are talking to before you talk. It will probably work out for the best. Eddie Izzard's comedy skecth from Glorious captures what I am trying to say most. CAUTION: Coarse langauge
3. Be Terse
Nuff’ Said…would all that would need to be said, But seriously don’t make the script too complex. “Be simple and direct. Use words of two syllables instead of three. That isn’t catering to the lowest common denominator, but to the essence of aural and visual communications. In the electronic media, the language goes by so quickly that one has neither the opportunity nor the luxury of savoring it, thinking about the nuances of a word or sentence, as one does when reading. Being long winded is for books not a world of infinite distraction. The large Blackman in this video says it all.
4. Learn to hold someone’s attention
HAY LOOK AT ME, you looking? Good,*magic trick*. Preferably you want something along the same lines in the first 15 seconds of your script. Either something attention grabbing and serious or something funny and comical to grab the attention of the viewer, since leaving is only a click away. In the script on page 84 it’s a commercial for Bell, the phone company. “WOMAN: Joey Called this morning.”(Hilliard 84) Even though this a very simple lead in. Just simple enough to break down relatively easily. This statement offers a question and problem. Depending on the tone of the voice and body position it could mean any number of things such as angry, surprise, or fear and that is to name only the three first possibilities that came to mind. This area is a culmination of all your efforts. If you have written well and given much thought to your lead in you will be successful as an electronic media writer.
5. Humor is OK!
Being funny is not a bad thing, it helps break the ice and grab attention. “Reading a chapter of a book or reading a dozen books will not give a writer the talent or skills of the great comedy writers…”(Hilliard 322). DO NOT FORCE IT, humor is great but do not be stupid with it. The easiest way to lose a crowd is to tell a flop. Whether the joke is inappropriate or just plan not funny it will have the same audience killing ability. But don’t be stupid about it; if it is a speech for disaster relief in Japan don’t open with “Surfs up dudes.” Humor is a persuasive technique and can be used to make you buy beer, or it can be used to help bring awareness to the rain forest.
6. Scripting could use some work
From the short time I was writing and creating scripts for commercials and the like I have found something that has never been seen before and it gives you a sense of time and scale. Or at least so I am told. The scrip on page 83 is a commercial for LIBBY’s famous foods. It does not even say how long the commercial is. There is no time stamp on the visual or audio ques. In my scripting at least every visual que has a time-stamp next to it.
7. Its gets progressively harder to write for the more people you have to reach
With a larger and larger audience it gets harder to make jokes that appeal to a large group without being too obscene or racist. With this large group there will be disagreements between the audience and you cannot give credence to either side thus fracturing your audience further. “Formula writing dominates most television series.” (Hilliard 5) Why formula because, formula’s are tried and true ways of making things. Television is a national medium and the shows on it have to reach the greatest amount of people possible. Truly great TV shows can reach a verity of audiences and can keep their attention span longer than just one episode.
8. Reality TV /= Reality
Reality TV is not reality anyone can become the “Outsider” with simple editing techniques. I’m sure with all the raw footage from the jersey shore you could make them all look like they hate each other or hate one person even though it might not be true it sure would make good Television.”Blau states that the work is “primarily a post-production job…we write everything after the fact.”(Hilliard 253)It makes sense that you can’t get people to do what you want them to do without editing. Hopefully the drama mamas will make television gold. It would be interesting to find out how many hours of raw footage exist from shows like The Jersey Shore. The whole point of these shows is to construct a reality. This reality can make really good TV or really shitty TV but it all depends on how well it is edited.
9. Commercials are a lot more complex than one would think
Commercials, The bane of anyone who watches TV outside of the super bowl. But these nuisances are not as mindless as one may think. They are in fact very sophisticated pieces of work that if done poorly will tarnish the reputation of companies. “Here’s the test: If you look at a commercial and fall in love with the brilliance of it, try taking the product out of it. If you still love the commercial, it’s no good. Don’t make your commercial interesting; make your products interesting.” (Hilliard 79) Not exactly the answer you thought you would get reading it did ya? But it sounds true, the product needs to the center of your product, it needs to pull all the strings in your commercial to make it into a coherent 30 seconds of persuasive viewing.
10. Is the blogosphere stagnant or flexible?
This is a more esoteric topic, it will require analysis of blogging in general and how even though it all looks aesthetically different it really isn’t that different from the days of soapboxes in the big cities.The people that are running the blogs are similar to the people wearing sandwich boards shouting about some topic or another of generations past. Activism has taken to the internet, to the never stopping stream of information. So blogs are just places for people to spout their opinions, But it comes down the writing that they are doing keep people interested in them. It requires mastery of or at least knowledge of everything Hilliard has talked about in his book to be able to blog well. Citing the whole book would seem rather…unethical so I cannot do that but I can quote “During the process of writing, the writer is usually isolated, alone in a room with whatever instrument she or he uses for writing: pen, pencil, typewriter, computer. Yet every word, every visual image has to be created with the thousands and even millions of people who will be watching or listening in mind.”(Hilliard 1).The author that pays attention to this will make the blogosphere not stagnant but will keep people flocking to his or her blog or soapbox or what have you. With that movement of information the blogosphere will stay healthy.
All Quotations taken from Writing for Telvision Radio News Media Written by Robert L. Hilliard, Buy a copy and read it.
All pictures listed in order of presentation
http://hewgill.com/threat/
http://www.kheper.net/topics/typology/four_humours.html
http://www.pr-media-blog.co.uk/2008/10/
http://discovermagazine.com/2007/may/map-welcome-to-the-blogosphere
Monday, March 28, 2011
Jon Stewart interviews George Carlin
Legend: Visual ques will be in CAPS
Audio ques will be in Italics
Script/Voice overs in BOLD
SCENE #X:(Ysec-Zsec)
SCENE+FADE IN ON GEORGE CARLIN
APPLAUSE
SCENE 2(7-17)
JON STEWART IN CHAIR GESTURING TO GEORGE CARLIN WHILE ASKING FIRST QUESTION
JS: Were your parents put off by the direct that you went into when you started to go counter culture.Was it a difficult transition from them to watch
GC: Well, He(dad) was out of the picture he uh he was
SCENE 3(17-33)
MID RANGE SHOT OF GEORGE SITTING IN CHAIR ANSWERING QUESTION
laughter at Carlin's Joke.
brilliant and the top salesman in advertising but he couldn't metabolize ethanol.Efficiently so he was given his hat, my mother was very brave she left him I was two months old and my brother was 5
SCENE 4(33-37)
SHOT FROM HIGH BACK STAGE LOOKING DOWN UPON BOTH JON STEWART AND GEORGE CARLIN
...5 years and she left down the fire escape so he was gone she...
SCENE 5(37-56)
SHOT FROM SEATS, CENTERED BETWEEN GEORGE CARLIN AND JON STEWART
...my mother was very kinda controlling, wanted to control my life and was heartbroken when I began with the dirty language and the awful stuff he says about business, She was an advertising executive secretary she loved the business world she thought it was just the finest thing that had ever happened. And so when I went in that direction...
SCENE 6(56-90)
SAME SHOT AS IN SCENE 3
...at first she was very opposed until one day we lived on the same street that I grew-that I went to school in I went to school on the same block I lived on something like that Corpus Christi school and the nuns were great, it wasn’t the typical Catholic school it was a experimental progressive school didn’t have grades or any kind of corporal punishment. Just very very wonderful school. And she would see the nuns on the street “oh Oh we saw George on the tonight show.” And she being the actress was “ohh it’s the awful...
SCENE 7(90-102
SAME SHOT AS 5
...language sister the awful language” and one said to her “No no no he’s using it for other purposes he’s not just doing it for that and its part of what he does don’t you understand? This that and the so forth”
SCENE 8 (102-110)
SAME SHOT AS 1 CARLIN SPEAKING MORE ANIMATEDLY
Laughter and applause at end speech
and she said “oh well” and from that day on she was ok with it because the church had approved it.“
SCENE 9 (110-113)
SAME SHOT AS SCENE 4
laughter and applause quickly dies down once Jon starts asking his second question
GC: "So that was that, thats how that worked."
SCENE 10(113-120)
SAME SHOT AS SCENE 2
JS:"People who deal in the content that you do often times that similarly live a life that is on the edge…"
Monday, February 28, 2011
Needs a peabody
One of the greatest news parodies since the daily show.
Here's a Script for above commercial.
Legend: Visual ques will be in CAPS
Audio ques will be in Italics
Script/Voice overs in BOLD
SCENE #X:(Ysec-Zsec)
SCENE #1:(0seC-1SEC)
Static
Static
Scene #2:(1sec-10sec)
Brooker gives his introduction to the program and passes it off to himself.
Scene #3:(10sec-14sec)
B: “It starts here with a lackluster establishing shot of a significant location”
Scene #4:(14sec-30sec)
B: “Next a walky talky preamble from the orator pacing steadily toward the lens. Punctuating every other sentence with a hand gesture and ignoring all the pricks milling around him like he’s gliding through the fucking matrix. Before coming to a halt and posing a question. What comes next?”
Scene #5:(30sec-33sec)Transition to Six
B: “often something like this (describing the visual). Often a filler shot designed...
Scene #6:(33sec-36sec)Transition to seven
(shot discription
...designed to give your eyes something to look at while my voice babbles on about facts,...
Scene #7:(36sec-43sec)@37 stop motion grayscale
...sometime it will slow down to a halt turn monochrome and some of those facts will appear one by one on the screen."
Scene #8: (44sec-45sec)Swing cut to next scene
SIDE VIEW OF FAT WOMAN WITH HEAD CUT OUT BY TOP OF FRAME
B:"this is followed by the obligatory shots of overweight people...
Scene #9:(46sec-47sec)Swing cut to next scene
FAT WOMAN PARTIALLY BLOCKED BY A DIFFERENT PERSON
...with their faces subtly...
SCENE #10:(47sec-48sec)swing cut to next scene
FAT WOMAN WARING RED BLUE YELLOW SWEATER
...framed out...
Scene #11:(48sec-49sec)Swing to next scene
FAT WOMAN TEAL SWEATER WITH SKINNY WOMAN
...After which the report is...
SCENE #12:(49sec-50sec)Swing Cut to next scene
FOCUSED ON GROUND BEHIND FAT WOMAN
...is padded out with some lazy and pointless...
SCENE #13:(51sec-52sec)Cut to next scene
FOCUSED ON PEOPLES LEGS WALKING ON THE STREET
...Vox Pox."
SCENE #14:(52sec-56sec)Cut to next scene
CLOSE UP 2-3FEET FROM RANDOM YOUNG MAN
sounds of the street(walking)
Random young Man: “Uhhhh sometimes we get inane chatter from people.”
Scene #15:(56sec-60sec)Cut to next scene
CLOSE UP OF WOMAN 2-3 FEET AWAY
Sounds of street(walking)
Random Women: “ I think they do have too much I think what we want to here is actually what’s happening not what other people think of it.”
Scene #16:(61sec-69sec)Cut to next scene
CLOSE UP OF OLD MAN 2-3 FEET AWAY CROWD IN BACKGROUND
Sounds of street(walking)
Random Old Man: “I hate these sound bites I don’t want someone’s opinion *muttering* No! (make him hard to understand).”
Scene #17:(69sec-71sec)
PEOPLE WALKING WITH OVERLAY OF PEOPLE WALKING SPED UP
B: "Another bit of dull visual abstraction to plug another gap before the...
Scene #18:(72-74sec)
HAND PUSHES CROSSWALK BUTTON "WAIT APPEARS"
...report segways gracefully into a bit of human interest"
SCENE #19:(75SEC-80sec)
SOME DOWERYMAN OPENING LETTERS IN HIS KITCHEN
...courtesy of some dowdy man opening letters in a kitchen and explaining how he has been effected by the issue."
Scene #20:(80sec-90SEC)
CLOSE UP FOR DOWDY MAN TALK ABOUT THE NEWS
DW:DM: “When I am watching the news I don’t really, you know there is a person talking to me telling me what’s going on and I don’t really listen to what they're saying, it’s just news. It’s just news.”
Scene #21: (90sec-93SEC)zooom in to next shot
AN ANIMATED GRAPH DOESN’T MEAN ANYTHING
B: "He was unfortunately was boring so to wake you up this is an animated chart...
SCENE #22: (93SEC-96SEC)
FADE GRAPH WHILE ZOOM IN ON BLACK SILHOUETTED FAMILY (KEEP ZOOMING FAMILY THROUGH
...This is an silhouette representing the average family...
SCENE #23: (96SEC-99SEC)
ANIMATED LIGHTHOUSE KEEPER GET HIS HEAD CUT OFF BY A LASER BEAM.
...and this is a light house keeper getting beheaded by a laser beam."
SCENE #24:(100SEC-100SEC)
2 GIRLS LOOK AT A PICTURE ON THEIR CAMERA
B:"As we near the end of the report ...
SCENE #25:(101SEC-101SEC)
ASIAN WOMAN TAKING A PICTURE
...there are illustrative shots...
SCENE #26:(101SEC-102SEC)
PEDESTRIANS CROSSING THE STREET
...of pedestrians...
SCENE #27:(103sec-104sec)
A CLOSE UP OF A SIGN
...and signs...
SCENE #28:(104SEC-104SEC)
A SHOT OF A PIPE OUT A WINDOW
...and a pipe at a window."
SCENE 29:(104SEC-111SEC)
A SEMI CLOSE UP FOR CHARLIE BROOKER GIVING HIS SIGN OFF
SOUND OF STREET
B: "Then the final summery ending on a whimsical shot of something near accompanied by a rye sign off."
SCENE 30:(111SEC-119SEC)
SHIFTING UP TOWARD A SIGN ON A BUILDING SIGN FOR REGENT STREET
B: If you’re lucky a bit of word play fit for a king or in other words a Regents treat.Charlie Brooker Newswipe London"
Monday, February 7, 2011
Bud-light scrpiting
Here's a Script for above commercial.
Legend: Visual ques will be in CAPS
Audio ques will be in Italics
Script/Voice overs in BOLD
SCENE #X:(Ysec-Zsec)
SCENE #1:(1-4) MEN FIGHTING FALLING BACK ONTO DESK
sword fighting
SCENE #2:(4-5) DIRECTOR ANGRY TURNS SCREEN AROUND
Director: "Cut!"
bell rings
Director:"whats is that doing on my set?"
SCENE #3:(6-8) CLOSE UP ON CAMERA MAN GIVING STATEMENT
Camera Man: "Product placement sir, whenever we feature a product in a scene we get tons of free stuff."
SCENE #4:(9-11) DIRECTOR TURNS SCREEN BACK
Director: "Here we go."
SCENE #5:(12) VILLAIN GRABS QUEEN WHIPS SWORD AROUND
sword fighting(background) Air whipping queen screaming
SCENE #6:(13) FOCUS ON BUDLIGHT BOTTLE WINDOW, SHADOW APPEARS BEHIND IT. HERO BREAKS THROUGH IT.
Heroic music begins, glass breaking
SCENE #7:(14) QUICK CUT TO HERO
SCENE #8:(14-16) HERO FIGHTS THROUGH CROWD
sword fighting(background), footsteps
SCENE #9:(17) CLOSE UP FIGHTING, LOOKING INTO CAMERA HOLD BUDLIGHT
Cut all background sounds, music continues, sword fighting(close)
SCENE #10:(18) VILLAIN WHIPS SWORD UP
sword whip
SCENE #11:(19-20) CLOSE UP OF HERO HOLDING UP BUD LIGHT
Hero:"Really?"(skeptical)
SCENE #12:(20) VILLAIN RECOILS IN FEAR
SCENE #13:(21) HERO THROWS BOTTLE AT HIM
Whip of air
SCENE #14:(22) VILLAIN KO'D BY BOTTLE, QUEEN FREE.
, pop of bottle hitting villain. Pinball machine sound,queen gasps
SCENE #15:(23-25) HERO REMOVES HAD KNEELS DOWN, TRUCK ENTERS RIGHT-CRASHES INTO STACKED BUD LIGHT BOXES
Hero: "My lady."
trucks breaks squeal, crash(cardboard crumpling)
SCENE #16:(26-29) BOTTLES COME DOWN ON BLUE BACKGROUND COVERED IN ICE, SEXY!
Narrator gives speech and tag line
can opening, beer pouring
Background: "Ahh"(refreshed)
SCENE #17:(29-31) WIDE ANGLE: BACK TO DIRECTOR ASKING QUESTION, BUD LIGHT KNIGHT AND CAMERA GUY ON SIDE OF HIM
Director: "Hmmm, more Bud Light?"
Friday, January 14, 2011
Back for round two
1. New York, town Pelham Manor, its a nice suburb right outside NYC.
2. I had the opportunity to walk around NYC for the first time, we walked from grand central station all the way to canal street, which is china town. It was interesting seeing the whole city filled with people. Very limbically stimulating.
3. The INTERNET is gods gift to man.
How much people try to take advantage of you while you do pretty much anything associated with viewing pop media
The picture above depicts
Doc W, cerca 1987
picture from rsc-northwest.ac.uk
4. I don't know what i want to be, a lot of me things that my future requires me to leave Champlain, I'm inclined to believe that. But for now i am here.
Here's a little clip from one my favorite shows I started re-watching over break
Thursday, January 13, 2011
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